永恒生活
约瑟夫·哈德,托比亚斯·莫雷蒂,诺拉·冯·瓦尔茨特滕,罗兰德·迪林格,Christopher Schärf,玛格丽特·提塞尔,约翰内斯·西尔贝施奈德
约瑟夫·哈德,托比亚斯·莫雷蒂,诺拉·冯·瓦尔茨特滕,罗兰德·迪林格,Christopher Schärf,玛格丽特·提塞尔,约翰内斯·西尔贝施奈德
桑德拉·布洛克,乔·博恩瑟,文森特·多诺费奥,维奥拉·戴维斯,理查德·托马斯,艾斯琳·弗兰乔茜,W·厄尔·布朗,杰西卡·麦丽奥德,汤姆·盖里,琳达·伊蒙,罗布·摩根,艾伦·坡尔,帕蒂·基姆,艾玛·尼尔森,托比·哈格雷夫,威尔·普伦,威廉·贝勒,西蒙·钱,Tom MacNeill
孟元文,元华,尤翠玲,王龙威
泰勒·派瑞,凯西·戴维斯,派翠丝·拉弗莉,约瑟夫·埃雷卡特,戴梦得·怀特,莱克西·潘特拉,安德里·豪尔,布洛克·奥赫恩,蒂托·奥蒂兹,塔佳·V·辛普森,伊南娜·萨尔基斯,汉娜·斯托金,迈克·托纳贝尼,杰西·凯伦
姜河那,金英光,车银优,姜泳锡,韩善伙
马修·卡索维兹
朱尔斯·达辛
格里菲斯
陈可辛
叶伟信
于本正
理查德·林克莱特
金容华
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
利用《电子战场2》留下的片段和一条非常细的故事线,亚历克斯再次与1998年在非洲东部的机器人雇佣兵作战。这一次,亚历克斯发现她有20个半姐妹正在等她回到2077年。中央司令部希望亚历克斯被活捉并扫描,看看她的DNA是否比正常的DNA更强更有力。但是亚历克斯可能太苛刻了,不值得去捕捉。
影片 Já, Olga Hepnarová 的主创再发新作,承诺本片会十分独特,与捷克国内所习见的作品大异其趣,更显粗粝。 萨拉在布拉格陆军总部担任助理。她极富魅力,身边俊男如云,却仍旧单身。对于这点,专横的母亲总是对她时时提醒。当她遇到俊朗迷人的马丁时,她终于体验到了生命中的爱情。渐渐地,他们的关系越来越亲密,但当萨拉想把他们的关系发展到更深、更肉体的层次时,马丁却出人意料地打断了她。萨拉不肯接受马丁讳莫如深的态度,她想知道彼此之间的阻力究竟为何物。于是,她获知了马丁的秘密。他们随后将了解,人不合群时,会遭到社会怎样的对待。 本片以年轻女子萨拉的视角展开,她爱上了一位神秘男子,但他们的关系并不完全符合社会标准,他们都必须决定是否值得为在一起而奋斗。影片突出强调了一个极具现实意义的问题,即无法满足周围环境的期望,以及与众不同所带来的社会压力、疏离感和自我怀疑。
艾米·亚当斯,帕特里克·德姆西,玛娅·鲁道夫,伊迪娜·门泽尔,詹姆斯·麦斯登,加布里埃拉·巴尔达奇诺,奥斯卡·努内斯,杰玛·梅斯,伊薇特·尼科尔·布朗,科尔顿·斯图尔特,詹姆斯·门罗·伊格尔哈特,安·哈拉达,Naoimh Morgan,肖恩·达根,布里吉德·莱希,埃马纽埃尔·奥克耶
许冠杰,麦嘉,张艾嘉,仓田保昭,徐克,叶夏利,曹达华,黄百鸣,汪庭欢,祖迪文,域陀布烈,李家鼎,施明,韩国材,关淑怡
安吉拉·莫利纳,阿尔佛莱德·卡斯特罗,莫妮卡·阿尔米拉尔,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M
千虎珍,柳海真,徐孝琳
马修·布罗德里克,阿兰·卢克,米娅·萨拉,杰弗瑞·琼斯,詹妮弗·格雷,辛迪·皮克特,莱曼·沃德,伊迪·麦克勒格,查理·辛,本·斯坦,德尔克洛斯,弗吉尼亚·卡珀斯,理查德·埃德森,克里斯蒂·斯旺森,马克斯·佩利希,斯科特·科菲,Tom Spratley,Debra Montague,乔伊·D·维埃拉,路易·安德森,Dick Sollenberger,迪迪·雷斯彻,Katie Barberi,Kevin Bassett,Harry Caray,詹姆斯·M·赫夫曼,约翰·休斯,Joseph P. McDonne
凯文·哈特,萨尼雅·西德尼,蒂凡尼·哈迪斯,阿尔·杨科维克,格雷格·格曼,里尔·莱尔·哈瓦瑞,汤姆·肯尼
Eric Roberts,Jack Pearson,Jamie Bernadette
山崎贤人,染谷将太,奈绪,安藤政信,村上虹郎,板垣李光人,国村隼,北村一辉,小林薰
西奥·詹姆斯,塔提阿娜·玛斯拉尼,伊利亚·伍德,劳拉·门内尔,克里斯蒂安·康佛瑞,萨拉·莱维,罗汉·坎贝尔,科林·奥布莱恩,Corin Clark,奥斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齐亚·牛顿
凯缇·萨克霍夫,迪恩·文特斯,马克·哈米尔,寇瑞·斯托尔,雅士利·伯奇,布莱恩·布鲁姆,布雷特·道顿,凯文·康瑞,杰森·斯皮萨克,艾尔西亚·罗塔鲁,辛希亚·卡耶·麦克威廉姆斯,尔玛·泰勒
Josefin Neldén,米克尔·福尔斯加德,Arthur Sörbring,丽莎·卡勒希德,贡内尔·弗雷德
克里斯·辛普曼,格兰特·舒马赫,詹姆斯·里德尔
范逸臣,李昕芸,李媛,雪村
Grant Masters,Patrick Flynn,Grahame Fox
伍迪·诺曼,丽兹·卡潘,安东尼·斯塔尔,克利欧佩特拉·科尔曼,埃伦·杜宾,黛博拉·热切娃,斯蒂芬妮·桑普森,Luke Busey,Jay Rincon,Jesse Vilinsky,Anton Kottas,Aleksandra Dragova,Aleksander Asparuhov,James Robinson,Jivko Mihaylov